Since it’s Broadway week, my mother decided to treat the family via purchasing discounted, orchestra-level seats to one of Broadway’s longest running musicals, The Phantom of the Opera.
For those who don’t know, The Phantom of the Opera recalls the fateful events that happened at the Paris Opera House in 1911. Christine Daae, who is part of the dance ensemble, has been taking voice lessons from a mysterious figure who lives within the opera house. This figure, known as the Phantom, uses his influence and powers to seduce (in a way) Christine into singing his music and coercing the managers to cast her as the lead roles for the majority of opera roles. What follows is a gothic story of seduction, betrayal, unrequited love and danger. (Damn good summary if I do say so myself).
This was my first experience watching the show. I had no previous knowledge of the show & story line and its origins, my only encounter with anything Phantom-esque was a photo of my dad dressed as the Phantom for Halloween.
That being said, it was fantastic. I immediately fell in love with the story, the music, the costumes…everything. When the orchestration started, I realized that I knew the music from when I was a child and found myself mouthing the lyrics. Turns out my mother used to play the cassette tape (so cultured).
Having worked at an opera house in Firenze when I studied abroad, I really appreciated the operatic singing and the whole setting taking place in an opera house. The costumes were so exquisite! Rich colors, sparkles, seemingly luxurious fabrics and wonderful fashions–I am a sucker for period piece clothing. I also thought the music perfectly accompanied the play–dark and synthy, romantic and grand. I mean, how could you not love this track?
Also, the lyrics of “The Music of the Night” are chill-inducing. In a good way.
But what I really loved most of all was the story. I am jealous of the writer Gaston Leroux for creating this fantastic tale. I think the fact that the production of horror movies, musicals and a movie based on the musical stemming from the novel is a testament to the greatness of the story. At its core, a man falls in love with a woman. Now make that man deformed, a dark and twisted member of the shadows of society, but a musical genius and make that woman his singing protege. Throw in another man to make it a complicated love triangle. Set the story in a theatrical business, where everything and anything could be an act. Etc etc etc. Freaking genius. Give me your imagination please, Leroux.
My favorite character was the Phantom. Such a dark figure! He suffers from his rejection of society, struggles between the dark and the light. He is a lover of all things night, but that’s due to his condition and reacting to his environment. I think that people secretly like the Phantom because sometimes, he so readily embraces his demons–murdering those who deny him or punishing those who stand in his way. Is it evil? Yes, but in a small way it is a bold almost admirable act. Or maybe I just like complicated characters.
I was so easily influenced by the darkness of this play. On the train ride home I tried to write a few short story synapses for my upcoming fiction assignments…let’s just say a lot of elements dealt with death, the occult and negative aspects of the human condition. Whoops.
As I might have said earlier, I’ve become obsessed with this story. I’ve been listening to the soundtrack non-stop. I want to read the novel and watch all the movies. I’m sure Broadway purists would tell me that the best version is the original London cast. The performers the night I went were Trista Moldovan as Christine Daae & James Romick as the Phantom, and they were pretty good. I just wish James had a manlier voice.
But overall, Phantom of the Opera was great. If anything, I can definitely count on this play being an inspiration for any future stories I plan on writing. It’s that good. Go see it before it closes. That’s an order.
Tags: Broadway, The Phantom of the Opera, gothic, story, music, review, impressions, inspiration








